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  • Newspaper Articles
    • The Brooklyn Eagle
      • July 20, 1899: “Newsboys Start A Strike.”
      • July 21, 1899: “The Newsboys’ Strike.”
      • July 24, 1899: “Messenger Boys Join the Army of Strikers.”
      • July 24, 1899: “The Newsboys’ Strike.”
      • July 30, 1899: “The Newsboys’ Strike.”
    • The Evening Post
      • July 20, 1899: “Newsboys on Strike.”
      • July 20, 1899: “Strike Days in Wall Street.”
      • July 21, 1899: “Newsboys Still on Strike.”
      • July 22, 1899: “Newsboys Aggressive.”
      • July 24, 1899: “Newsboys Want to Parade.”
      • July 25, 1899: “Newsboy Strikers Orderly.”
      • July 26, 1899: “Newsboy Leaders Quit.”
      • July 26, 1899: “Condition of the Newsboys.”
      • July 27, 1899: “Newsboys’ Strike Still Firm.”
      • July 29, 1899: “Newsboy Strike Leaders”
      • July 31, 1899: “Newsboys Form A Union”
    • The Evening Telegram
      • July 20, 1899: “Newsboys Strike Against Two Papers”
      • July 21, 1899: “Newsboys’ Strike Spreads to Harlem”
      • July 22, 1899: “Boy Strikers Sweep the City”
      • July 24, 1899: “Can’t Break Boys’ Tie-Up”
      • July 25, 1899: “Newsboy Strike Gains Ground”
      • July 26, 1899: “Newsboys Ready to Show Strength”
      • July 27, 1899: “Salvation Lassies Wouldn’t Sell Them”
      • July 28, 1899: “Newsboys See Victory Ahead”
      • July 31, 1899: “Union to Enforce Newsboys’ Strike”
    • The Morning Telegraph
      • July 21, 1899: “Newsboys Turn Out on Strike”
      • July 22, 1899: “Newsboys Strike A Great Success”
      • July 23, 1899: “Newsboys Still Out On Strike”
      • July 25, 1899: “Tim Sullivan Makes A Talk”
      • July 28, 1899: “Newsboys’ Strike Must End”
      • July 29, 1899: “Kid th’ Blink” No longer on Top”
    • The New York Herald
      • July 21, 1899: “Newsboys Strike for Better Terms”
      • July 22, 1899: “Spread of Strike Fever Among Lads”
      • July 23, 1899: “Newsboys’ Strike Promises Success”
      • July 25, 1899: “Newsboys Wage A Merry War”
      • July 26, 1899: “Newsboys’ Strike Becomes General”
      • July 27, 1899: “Newsdealers and the Boy Strikers”
      • July 28, 1899: “Dealers Boycott to Aid Newsboys”
      • July 29, 1899: “Newsboy Strikers Keep Up the Fight”
      • July 30, 1899: “Striking Newsboys Stand Firm”
      • July 31, 1899: “Newsboys Form An Organization.”
    • The New York Times
      • July 21, 1899: “Newsboys Go On Strike”
      • July 22, 1899: “The Strike of the Newsboys”
      • July 23, 1899: “Striking Newsboys Are Firm”
      • July 23, 1899: “Newsboys May Be Uniformed”
      • July 24, 1899: “Mass Meeting of Newsboys”
      • July 25, 1899: “Newsboys Act and Talk”
      • July 25, 1899: “Violent Scenes During Day”
      • July 26, 1899: “Newsboys Still Hold Out”
      • July 26, 1899: “Seek To Help the Newsboys”
      • July 27,1899: “Newsboys Are Weakening”
      • July 28, 1899: “Newsboys Still Hold Out”
      • July 31, 1899: “Newsboys Form A New Union”
      • August 1, 1899: “Newboys Up For Blackmail”
      • August 1, 1899: “Declare Newsboys’ Strike a Failure.”
    • The New York Tribune
      • July 21, 1899: “Newsboys Go On Strike”
      • July 22, 1899: “Newsboys’ Strike Goes On”
      • July 23, 1899: “Newsboys’ Word Stands”
      • July 24, 1899: “A Newsboys’ Meeting”
      • July 25, 1899: “Boys Forsee A Victory”
      • July 25, 1899: “Newsboys Riot in Mount Vernon”
      • July 25, 1899: “Trenton Newsboys Strike”
      • July 25, 1899: “Park Row Capulets and Monatgues”
      • July 26, 1899: “‘Newsies’ Standing Fast”
      • July 26, 1899: “Yonkers Boys Form A Union”
      • July 26, 1899: “New-Haven Newsboys Strike, Too”
      • July 26, 1899: “Newsboys Striking In Paterson”
      • July 26, 1899: “Strikers in Cincinnati”
      • July 26, 1899: “Strikers Ahead in Mount Vernon”
      • July 27, 1899: “Tried for High Treason”
      • July 27, 1899: “Boys Eloquent in Brooklyn”
      • July 28,1899: “‘Kid’ Blink Arrested”
      • July 28, 1899: “Yonkers Boys Win A Victory”
      • July 28, 1899: “Providence Boys Join the Strike”
      • July 29, 1899: “‘Kid’ Blink Fined”
      • July 30, 1899: “Fable Repeated In Fact”
      • July 30, 1899: “New-York Newsboys,” Illustrated Supplement
      • July 31, 1899: “Newsboys’ Strike On Again”
      • July 31, 1899: “Yonkers Boys to Parade”
      • August 1, 1899: “Newsboys Plan Another Meeting”
      • August 1, 1899: “A Big Parade in Yonkers”
      • August 1, 1899: “Newsboys’ Strike in Asbury Park”
      • August 2, 1899: “Newsboys’ Boycott Over”
    • The Sun
      • July 20, 1899: “Newsboys ‘Go Out'”
      • July 21, 1899: “The Only Tie-Up In Town”
      • July 22, 1899: “Strike That Is A Strike”
      • July 23, 1899: “Newsboys’ Strike Swells”
      • July 24, 1899: “Plan to Down Newsboys”
      • July 24, 1899: “Sociological Students in Court”
      • July 25, 1899: “Great Meet of Newsboys”
      • July 25, 1899: “Troy Newsboys In Fight”
      • July 26, 1899: “Newsboys Parade To-Night”
      • July 27, 1899: “Parade To-Night, Sure”
      • July 27, 1899: “Newsboys Gain A Point”
      • July 28, 1899: “Newsboys Get New Leaders”
      • July 28, 1899: “Stole Newspapers from Girls and Women”
      • July 29, 1899: “Newsboys’ New Leader”
      • July 29, 1899: “A Kindergarten for Strikers”
      • July 31, 1899: “Rochester Newsboys to Go On Strike”
      • July 31: “Striking Newsboys Elect Officers”
      • August 1, 1899: “‘World’ Jails Newsboys”
      • August 2, 1899: “Newsboys Strike Up the State”
      • August 2, 1899: “Three Newsboys Arrested for Assault”
    • The World
      • July 30, 1899: “Herald Employees Sued for $10,000”
      • August 1, 1899: “Blackmailers Try to Profit by Strike”
      • August 3, 1899: “Plain Statement of Facts for Public Consideration”
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City Hall Park 1899

~ History of the Newsboys Strike of 1899, through actual newspaper articles from the time.

City Hall Park 1899

Tag Archives: newsies

“The Latest Thing in Journalism Is the Thug Era”

26 Wednesday Jul 2017

Posted by cityhallpark1899 in Newspaper Articles

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editorial, journalism eras, newsies, thug era

From The Morning Telegraph’s editorial page, July 27, 1899:

The Latest Thing in Journalism Is the Thug Era

The past decade has seen many changes in journalism. Some fifteen years ago a man came out of the West and began ferreting out crime for the purpose of gaining a circulation for the moribund paper he had purchased. In due course of time there arose “comic” supplements, latest afternoon extras, and other innovations which possessed, in those days, the merit of novelty, if no other merit. Then came the “signed statement” era. The first pages of several papers were largely devoted to statements, two columns wide, set in long primer, on “How to Make a Pretty Lambrequin Out of Last Summer’s Chiffon Underskirt,” and singed by some distinguished person such as Edward W. Bok or Joseph H Choate. No news story was complete without a signed statement. Hordes of reporters held up ambulances and secured signed statements from the dying victim of an accident, which duly appeared in print the following morning, headed:

The late John Thompson writes exclusively for The Daily Lightning, describing how it feels to be killed in a dynamite explosion.

This signed statement era was a hideous dream. That eminent young philosopher, Charles Dryden, immortalized it in the following touching verse:

“We are lost!” the captain shouted,
As he staggered down the stair.
But his little daughter whispered,
As she clasped his icy hand:
“Let us sign a written statement;
They will print it when we land.”

Then there a came a long series of journalistic epochs—the monument, the memorial sword, the free weiner schnitzel kitchen, the woolen blanket and overall fund epochs—but to-day sees the ushering in of an even more remarkable journalistic era. I hesitate to give this a name. It might be called the Thug Era. That will do as well as anything else.

Two evening papers are responsible for this—or, perhaps more properly, the striking newsboys are the direct cause. When the boys refused to sell their papers the circulation managers were compelled, much against their will, to think. If the boys would not sell the papers and were determined to attack all other boys who were willing to do so, then must force be met with force.

“We will secure vendors who are physically able to resist the assaults of the strikers,” said the circulation managers.

The result has been interesting. By the promise of $2 per day and a commission of forty cents for each one hundred papers sold, the circulation managers have secured the most wonderful set of newsboys ever seen in this or any other community. The streets in the lower part of the city present a unique and even terrifying spectacle. Square-jawed, evil-eyed thugs, looking strange in citizen’s clothes instead of striped garments, hawk the evening editions with hoarse cries.

“Hevenin’ Dot! Hevenin’ Dot! Come here, me blokie, h’and buy th’ Evening’ Dot! No, ye don’t get no change, see!”

The citizen, pallid, thinking of the dear ones at home dependent on him for support, meekly hands over a $5 bill for a paper, and slinks away, thankful he still retains possession of the old fashioned watch which once belonged to his sainted mother.

There have been a few attempts on the part of the strikers to interfere with the business of these vendors, but they have been futile. With memories of many athletic struggles at the dear old Alma Mater the purveyors of evening papers have formed a flying wedge and with their stirring college cry of

Rah! Rah! Rah!
Siz! Boom! Ah
Joliet!

have charged the attackers and dispersed them.

And from far across the square is heard the battle cry of other college graduates shouting:

Ring, ring, ring,
Let the welkin ring!
Who are we?
Don’t you see?
Sing Sing-Sing!
Tiger!!!

Truly, the Thug Era is the latest development in up-to-date journalism.

W. R. Sill

“Newsboys At Rosie’s Funeral. “

24 Wednesday May 2017

Posted by cityhallpark1899 in General, The Sun

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funeral, Mrs Corcoran, newsgirls, newsies, Rosie Corcoran

From the May 24, 1900 edition of the Sun:

Newsboys At Rosie’s Funeral.

Meanwhile They Are Taking Care of the Corcoran Business at the Bridge.

The funeral of Rosie Corcoran, the Brooklyn Bridge newsgirl, will be held from her home at 102 James street, to-morrow. She will be buried in Cavalry Cemetery. Last night the women friends of Mrs. Corcoran, who are very many in Cherry and Water and Henry streets, sat in the front room about Rosie’s white-covered coffin and commented tearfully on the uncertainties of life. In an outer room at the head of the stairs sat Rosie’s oldest brother surrounded by a large number of his friends. Pipes and tobacco and other simple refreshments were provided for them.
Most of the Park row newsboys intend to go to Rosie’s funeral. A number of them voluntarily took the Corcorans’ places at the Bridge entrance yesterday and carried on the business for them under the supervision of Mrs. Corcoran’s rival, Mrs. Shea, who was anxious that the respect which the family was showing for its dead might not cost it too much. Mrs. Corcoran, who has had years of bitter experience with the Parkrow newsboys, sent them word by visitors at the house that if they thought they were making a permanent entrance on her territory under the semblance of doing her a favor she would take great pleasure in showing them to the contrary when the period of her mourning was over.

“A Newsboy’s Progress”

10 Thursday Nov 2016

Posted by cityhallpark1899 in Newspaper Articles, Tribune

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Herman Felten, letters, newsboys, newsboys' house, newsies, superintendent Heig

From the November 10, 1901 edition of the New York Tribune:

A Newsboy’s Progress.

Goes From This City to Louisville, Where He Organizes a Newsboys’ Club and Becomes A Stenographer.

“About four years ago,” said Superintendent Heig of the Newsboys’ Lodging House yesterday, “a boy named Herman Felten stopped at the lodging house. He became a regular attendant at our night school and at the Sunday evening meetings. As he had friends in Louisville, Ky., he wished to go there, and we sent him. He has since organized a newsboys’ club there of which he is the head.”

Mr. Heig received a letter from Felten a few days ago, which was as follows:

It is so long since I last wrote you that mayhap you think I have forgotten you and the Brace Memorial Lodging House. But, no; the lessons I learned and the kindnesses that I received are indelible impressions on my mind—effaceable only by the tragedy of death.

I am now no more the humble newsboy, shouting “Extree! All about the terrible murder!” but a plain stenographer. With the money I saved from selling papers I took a course in a business college and graduated, and procured a position as stenographer.

Inclosed [sic] is an extract from one of our papers regarding myself which may interest you and the boys in your charge. The personage of whom I spoke is but a second Charles Loring Brace—a man worthy to be emulated and honored, and, being emulated, makes the doer happier and of service to his fellowmen; and being of service to one’s fellowmen is a type of love that uplifts the soul to the pedestal of a better life.

This letter was written by a boy who only four years ago was selling newspapers in this city, and much less than four years ago was pursuing the same occupation in Louisville. The newspaper clipping mentioned is from one of the Louisville newspapers, and states that at the “Thompson memorial services of the Newsboys’ Home, held at the Elks’ Home last evening, many interesting addresses were made, of which the most novel was by Herman Felten, the crippled newsboy who stands at the corner of Fourth and Jefferson sts.” The paper went on to say that the address was considered remarkable from a boy so young, after which it gave the address in full.

Felten’s speech was a tribute to Judge R . H. Thompson, the one to whom he referred in his letter as a “second Charles Loring Brace.” The judge had been friendly to Felten when he was a poor newsboy and in actual want, and had helped him through his difficulties.

Review—Newsies: The Musical

20 Wednesday Jan 2016

Posted by cityhallpark1899 in Reviews

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musical, newsies, review

“‘Write what you know’
So they say, all I know is I don’t know what to write
Or the right way to write it.
This is big, lady, don’t screw it up,
This is not some little vaudeville I’m reviewing.
Poor little kids versus rich greedy sour pusses
Ha! It’s a cinch!
It could practically write itself—
And let’s pray it does, cause as I may have mentioned,
I have no clue what I’m doing.”

—”Watch What Happens,” Newsies: The Musical

That seems like an appropriate quote to begin with, because I’m not sure how to go about reviewing the musical. There are so many different things I want to talk about, from set design to little details that made me happy. (That’s why it’s taken me over six months to write this.)

Was the musical good? I saw it three times here in Dallas, which isn’t all that surprising when I remember how many times I watched the movie the first time my sister & I rented it from Blockbuster, but is more frequent than I’ve gone to any other musical during the course of a run. (It helps that once was with free tickets, and the last time was through the Winspear’s ticket lottery.)

The set design was brilliant. Towers that looked like the steel beams of elevated train stations. Just enough furniture to denote specific settings—such as Pulitzer’s office or Jacobi’s Deli or the House of Refuge—without cluttering up the stage. Screens with projected images to provide backgrounds as needed. Everything moved around or on/off stage in such a manner that it blended in perfectly with choreography or whatever action was taking place. Only a few times were pieces wheeled on and off by an obvious stage crew member; most of the time cast members handled the transitions so seamlessly. For example: at one point, a newsie dances on Pulitzer’s desk as it’s being wheeled on by some of Pulitzer’s staff members, but you don’t pay attention to the scenery change until the newsie leaps off and the “office walls” are projected onto the screens that have lowered.

More than once the fourth wall is broken, very effectively. Medda commands the stage and speaks to audience members during her big show number. As a vaudeville star, why wouldn’t she? Spot Conlon and David Jacobs both treat the audience as newsies at the rally. The first two performances I saw, the audience responded in kind, but during the matinee the response was not as energetic. (I’m guessing it was because an older audience didn’t expect it.) Still, I loved the idea of using the audience as an audience.

As for plot, I felt that the changes made—from pulling “Santa Fe” to be the opening number to the creation of Katherine’s character—tightened up the story for the stage. Starting off the show with “Santa Fe” made going West more of a driving force for Jack, and highlighted the concept of the newsies being a family. While I’m still undecided about how I feel about Katherine’s alter ego—Pulitzer did have a daughter named Katherine who would have been the right age, but she died in 1884—I loved that she was very much a headstrong newspaper woman in the vein of Nelly Bly. Over all, I felt that movie Newsies and musical Newsies are rather like Neil Gaiman’s Stardust—the novel and the movie both tell the same story, but the way in which each is told differs to meet the needs of the storytelling medium. One is not better than the other; they compliment each other.

The score is wonderful, as well. It’s a nice mix of old favorite musical numbers—”Santa Fe,” “Carrying the Banner,” “Seize the Day”—and new. Alan Menkin and Jack Feldman wrote the music and lyrics again, so everything flows together beautifully. One of my favorite new songs is Crutchie’s “Letter from the Refuge.” And Medda’s new showstopper gets stuck in my head frequently, but not as frequently as “Brooklyn’s Here.”

I had the opportunity to watch Dan DeLuca twice as Jack Kelly, and Michael Ryan once. I can’t say that either of them is my preferred Jack, because they both gave outstanding performances. Where Dan’s Jack displayed innate self-confidence, Mike’s displayed a brash facade (which I think is directly correlated to the amount of time each has spent in the role). Little nuances I enjoyed picking out. Now that many of the lead roles—Jack, Katherine, Davey, Medda, Les, the Delancy brothers—are being played by new actors, I’m curious what nuances the characters have now.

My favorite detail is that the front page of the newspapers that they destroy during the strike are near copies of The World from July 21, 1899. Most obviously, the “Trolley Strike Enters Third Week” headline is made up. But, the other articles on the front page are, with a few rewordings here and there, almost exactly the same. The main illustration is different, as well. The inside pages and the back page also look period, with articles and ads instead of blocks of Lorem Ipsum.  For a prop that most of the audience won’t see up close, the attention to detail made my heart happy.

If you have an opportunity to see it before the tour ends (cities & dates can be found here), do so. I think it’s definitely a not-to-be-missed experience.

“Newsboys’ ‘Foster Father’ Tells How They Won Fame”

27 Saturday Jun 2015

Posted by cityhallpark1899 in Newspaper Articles

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Brace Memorial Lodging House, Children's Aid Society, Henry L. Gassert, Johnny Brady, Johnny Burke, Josephine Beck, life, Little Minnie, Little Timmy, Mother Heig, Narrow Mike, newsboy code, newsboys, newsboys' house, newsies, oral history, Pop Rudolph, Rudolph Heig, Skinny, superintendent, Swipes, Yaller the Butcher

June 30, 1910 marked the last day that Rudolph Heig served as superintendent of the Newsboys’ Lodging House located at No. 9 Duane Street. His wife, who served as the lodging house’s matron, retired alongside him. The Evening Telegram ran the following article about his career on June 27, 1910:

Newsboys’ “Foster Father” Tells How They Won Fame

Pop Heig, Thirty-Five Years in Charge of Home, Relates Story of 100,000 Charges.

“Pop” Rudolph is going to quit. That is not all. “Mother” Heig has decided that she will have to leave with him, and as she is his wife it isn’t strange that she reached this conclusion. Of course the announcement doesn’t mean much to the ordinary New Yorker when there are other things to read about and he is not sure yet whether the Jeffries-Johnson fight is really going to take place or the Giants are beginning to get in better form. It is merely a little item sandwiched in among a lot of advertisements announcing that the Children’s Aid Society has accepted the resignations of Mr. and Mrs. Rudolph Heig as superintendent and matron, respectively, of the Newsboys’ Home, at No. 14 New Chambers street, and that some one else will be appointed to take their places. It doesn’t mean much to some, but it certainly does mean a whole lot to more than a hundred thousand boys and one girl who knew them as their friends, aids and advisers when every one else in the whole world was against them and the outlook for life was about as black as it can appear to the juvenile mind, which ought to be naturally optimistic. It doesn’t mean newsboys who regret their leaving, but it means newsboys, Governors of States and Territories, financiers and lawyers, who still regard the couple as the only persons in the country who took them in and befriended them when no one else thought them worth caring for.evetelegram_6-27-1910_mrs-mrs-heig

Started as Newsboy.

“Pop” Rudolph Heig didn’t make any fortune for himself and neither did his wife, known from coast to coast by thousands of boys as “Mother Heig.” but if the youngsters whom they have befriended and put on the right road since they first took charge of the Newsboy’s Home had their way they would have the first place in the hall of fame.

Having started life as a newsboy himself there was no one whom the Children’s Aid Society could pick who was more eminently fitted for the place of superintendent of the home for the “newsies” when the home was opened in New Chambers street thirty-five years ago than Mr. Heig. At that time he was a youngster himself, having given up his selling papers in Park row to become office boy in the uptown office of the society and then clerk. He knew boys, and especially newsboys, as only a man who was one himself could know them. He was as well acquainted with their code of honor, division of districts and unwritten fraternal laws as they were themselves and he knew that a newsboy wasn’t to be treated with the same regulations that a youngster of the upper ten would expect. To be pampered and coaxed was disgusting to them, and to have any one start in “preaching” in a vernacular they didn’t know was something that any youngster who had to hustle for himself hated worst of all. Mr. Heig knew this.

A reception is to be tendered Mr. and Mrs. Heig on Thursday night, which will be the last night they will spend in the old lodging house, and it is expected that their boys from all parts of the country will be present.

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Newsies: The Sing-Along

21 Tuesday Apr 2015

Posted by cityhallpark1899 in General

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costumes, movie, newsies, review, Sarah Jacobs Appreciation Society, sing-along

Tonight was the “Newsies” sing-along at the Alamo Drafthouse in Richardson, TX. I had so much fun! If it’s ever offered somewhere in your city, I highly recommend going. Nothing like watching the movie on a big screen while singing along with other fans!

My first time seeing the movie was actually a few years after it flopped at the box office. Christmas of 1996. My younger sister and watched it over and over again while I was home on break, sometimes watching it two or three times in one day. Watching the TV-formatted version is definitely not the same as seeing it on a movie screen.

I dressed up as Sarah Jacobs, pulling things out of my closet to put together. (Although I did end up buying a pink shawl at the thrift store for the outfit she wears when the Delancy brothers accost her.) People just don’t show Sarah enough appreciation. After all, she did punch Morris Delancy—even if it wasn’t that strong of a punch—when most of the newsies get out of his way.

singalongOn our way out to the lobby afterwards, she & I got stopped by two people who were thrilled to see that we had both dressed as Sarah, being self-proclaimed members of the “Sarah Jacobs Appreciation Society.” So of course I had to get a photo of the two of them dressed as the Broadway versions of Jack Kelly and Racetrack Higgins. (“Racetrack” even had the black eye from later in the show.) And also of the lovely Spot Conlon who had all of his swagger.

The night ended with me being lucky enough to win tickets to the musical, which opens in a week! For a different night than the one I’d already purchased tickets for. I’m really looking forward to seeing it more than once. Although I may not go in costume. (Who am I kidding, I probably will.)

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